#i feel INSANE <3< /div> Explore tagged Tumblr posts

[fairweathermyth]

VELVET GOLDMINE dir. Todd Haynes, 1998 Jonathan Rhys Meyers as Brian Slade costume design by Sandy Powell

[narcopathyfiles]

n/aspd splitting and "special" people is definitely a thing. much to my dismay

[frothingatthemaw]

boyfriend 🫠💘 i adore it so much. like genuinely so much. [happy squeal and sway stim] my boyfriend who i adore the most ever! i have the eepy softs. i just like him a lot okay. like maybe too much a lot (lying, it could never be too much). BOYFRIEND!!!!! my angel, my sweetheart, my love.

[mwagneto]

fascinated by just how much marvel movies (and shows) managed to perfect the formula of making 2 male characters Just gay enough that the fans who want that will go UMMM IT'S NOT BAIT THEY'RE LITERALLY GAY LOOK!!!! but not too gay that homophobes even pick up on there being any subtext let alone get mad. extremely insidious form of bait. obvious examples being fatws and loki and more recently deadpool 3 and now venom 3

[kitamars]

doodles as i relive my spideyman phase from eighth grade

[geezmarty]

guess who started playing bg3

[sophfandoms53]

Anyway shout out to Dewey who constantly looked like he was having the worst time of his fucking life in the pitches

Just an 11 year old pissed off at the world it seems😭

[dopepoisonivyoncrack]

"There were times I would've been thrilled if everyone who put their hands on me burst into flames"

Astarion pencil study on A4 paper

[uncanny-tranny]

I recently had to do a project in one of my psych classes, and man, I knew that CBT was used for every little thing, but seeing over and over, "do CBT! CBT is the best for every mental illness!" was so jarring. I'm absolutely biased because of my own experiences, but I just don't think it's as universal a treatment model as it's touted.

If you didn't benefit from CBT, it's not because you're lazy or didn't try hard enough or lacked intelligence or foresight into your own needs. Frankly, it's a therapy model that (I think) shouldn't be the only readily-accessible model and among the only therapy models covered by insurance. Some of us should not be treated in a CBT model and that's okay. It's not a sign of poor character or unreasonable demands, and if you don't think it's a model that works for you, then it's your right to express that!

[andi-o-geyser]

despite how you feel about the changes from the stream to the show, if you like or dislike them, i love how inherently hilarious the narrative path tlovm is taking regarding perc’ahlia is because a situationship would literally kill campaign percy and vex like how the internet would kill a small victorian child. they are NOT built for that

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[borgialucrezia]

THE BORGIA BROTHERS ↴ on the verge of tears watching their sister with other men

[akiacia]

some of the right words

[nhura]

Life is too short.

[ my art ] [ twitter ]

(detail + ratio rambling under the cut >_>)

This is one of those "I need a break between my ten other illustrations, let me do a lil sketchy sketch :D" that got too ambitious etc. etc. I never want to see the color red again" moments. BUT!

I really, really like to explore Ratio's viscerality and what's happening between his brain and his nerves, like... all of this thorough control and discipline and he still has to breathe and react to himself and his surroundings, you know? His accomplishments are insane for "his age"* but he's going to run out of "age" at some point! His ambitions are so far reaching that he's not worried about getting doctorate degree Number Nine! Rather, his efforts are pointed outwards, into the universe, for the universe. As you know.

Speaking of his degrees, I had a half thought a while ago that we've seen him with two types of laurel pins.

One is him in his suuuuuper cute mother goose avatar (three leaves) and the other is the hat he's wearing everywhere else (eight leaves).

The thought was, "Aww, what if they're like commemorative pins counting the number of his degrees or whatever :)". Literally only because there's eight in the current one. This is kind of silly because then you'd HAVE to have an obscene number of degrees even for a normal person for your leaf pin to start looking like a laurel in the first place so scratch that BUT it's cute to think that it's still academic regalia. Something something I work in higher ed myself and it's like... it's like that.

The university goldsmith appreciates the job security.

I REMEMBER WHY I BROUGHT THAT UP. FOLLOWING the fantasy where more leaves = more knowledge!, in summary, even though Ratio seems to be a little beyond trying to get a prize every time he learns something now. But he does want to Keep Going. He can only Keep Going.

So I drew him in a bathtub full of an uncountable amount of gold leaves looking at the camera with an indescribable expression born from a hunger that will never be satiated lol DETAIL SHOT!

*Referenced only vaguely in a comment in the context of astonishment, but it could have easily have been "woah he's accomplished so much for his age (young)" as it could be "woah he looks good for his age (older)". There is no canon age and even then, reconciling standardized system time versus planetary time versus "does his particular breed of lizard human have the same lifespan as tumblr user nhura?" is a losing game for everyone involved! Here's what I think: I think he started going grey in his early twenties, whatever that means in spacefantasygame, and that that's very cute on him.

Do YOU think Ratio would be tempted by immortality???? Or would he MIND HIS BUSINESS

[gatoburr0]

Been thinking about it

[vaguely-concerned]

the fact that irving canonically survives through the end of asunder to be at wynne's funeral is so fucking funny to me. nothing but love and respect for MY unstoppable cockroach morally grey machiavellian mage dad!!! he's survived in his position through multiple attempted rites of annulment and blood mage plots popping up left right and center around him. the chantry keeps trying to stamp him out but his dodge game is simply out of this world, divine. civil wars, political machinations and minefields, chantry atrocities, this wily old motherfucker is dodging and weaving his way through it all, not-quite-no-hits-taken-running-it-but-honestly-close-enough-under-the-circumstances style. if solas does succeed in tearing down the veil I would fully believe that one of the like three people still alive at the end of it all would be a very weary 90 year old first enchanter irving going 'oh this shit again huh'. the maker has cursed him for his hubris and his paperwork is never finished (affectionate, it's fine he canonically loves paperwork)